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The Story

“You helped me. I will help you.
But you will not like what you find.”

SAL — a detective working undercover as “Donnie” — is assigned to babysit a mysterious prisoner inside a warehouse. The prisoner is LIXO, a woman who crossed through one of seven supernatural “gateways” appearing around the world. She isn’t human. Or at least not only human.

Sal isn’t there for the job. He’s there for his missing son. And Lixo has seen the boy.

When the situation turns violent and their captors close in, Lixo breaks free — and the deal she makes with Sal will cost him everything he thought he understood about the world.

Crime. Urban Fantasy. R-Rated.

Robert Flowers — Director
On set — GOD HUNTER
Writer & Director

Robert Flowers

Writer Director USA Today Bestselling Author Black List

The son of a combat Marine and a school teacher, Robert Flowers is a Mexican American filmmaker. Like himself, Robert’s stories are rooted in characters straddling two different worlds, struggling to find their place — often with a genre bent toward sci-fi, thriller, and horror.

His sports thriller Welcome to Stillwater won Best Thriller Pilot at The Big Apple Film Festival. As a director, his work has won Best Sci-Fi at the LA Sci-Fi Film Festival and Best Thriller/Suspense at the Chandler International Film Festival. His work has been featured on the sci-fi channel DUST on YouTube.

He is a Black List recommended writer and a USA Today Bestselling author for his novella Snow Hill.

IMDb  ↗ @robertflowerstv  ↗
Behind the Lens

Gallery

The Bigger Picture

A Piece of a Bigger Story…
GOD HUNTER: The Feature Film

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Pitch Deck

The complete vision, market positioning, and creative bible for GOD HUNTER as a feature film. For investors, distributors, and press.

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Read the Script

Read the feature length screenplay by Robert Flowers.

GODHUNTER_EXCERPT_v4.fdx

INT. BATHROOM — DAY

A mustache is delicately trimmed. Two tattoos of an OBSIDIAN BUTTERFLY wrap around both sides of his neck and shoulders. This is DONNIE.

He pulls a PHOTO of a sixteen-year-old boy off the mirror. Puts it in his pocket.

DONNIE

I’m Donnie…
(says it different each time)
I’m Donnie… I’m Donnie…

INT. CAGE — LATER

Donnie pulls up LIXO’s sleeve. Her arm is covered in a tattoo of Aztec symbols — eagles, snakes, butterflies. He inserts a needle into her vein.

Lixo’s head tilts as if she sees Donnie through the hood.

LIXO

(in Nahuatl)
Please… Help me.

Donnie looks over his shoulder. He quickly shows the photo of the boy.

DONNIE

(whispering)
Have you seen this boy?

Anger fills her face. She thrashes. Yanks her cuffs. But the drugs take effect.

INT. WAREHOUSE — CAGE — NIGHT

Donnie’s eyes burst open. His bruises are all gone. No blood on him except on his clothes. No pain. He picks himself up, shocked that he can.

He spots BLUE DROPS OF BLOOD on the ground. He follows them out.

DONNIE

(in Nahuatl)
My boy. You saw him.

LIXO

You helped me. I will help you.
But you will not like what you find.

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